"Die Zauberflöte, K.620, Act I: Zum leiden" by Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra was released on January 1, 1995. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edita Gruberova's "Great Moments of Edita Gruberova" album is number 3 out of 44. Based on our statistics, Die Zauberflöte, K.620, Act I: Zum leiden's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620, Act I: Zum leiden by Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: 2. Adagio (Cadenza: Robert Levin) | Wolfgang Amadeus Mozart, Robert Levin, Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | D Major | 0 | 10B | 88 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Serenade No. 12 in C Minor, K. 388: II. Andante | Wolfgang Amadeus Mozart, Oslo Philharmonic Wind Soloists | E♭ Major | 0 | 5B | 77 BPM | ||
Flute Quartet in G Major, K. 285a: I. Andante | Wolfgang Amadeus Mozart, Ulf-Dieter Schaaff, Philipp Beckert, Andreas Willwohl, Georg Boge | G Major | 1 | 9B | 123 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 126 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM |
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