"Lamentations Ieremiae Prophetae: Teth II" by Alonso Lobo, Tenebrae, Nigel Short was released on March 28, 2011. With Lamentations Ieremiae Prophetae: Teth II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #22 out of 32 tracks. Based on our statistics, Lamentations Ieremiae Prophetae: Teth II's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Teth II by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lamentations Ieremiae Prophetae: Teth II being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Credo, JD 16: Credo (Jesu Christe Fili Dei), JD 16 | John Dunstable, Tonus Peregrinus, Antony Pitts | B Major | 1 | 1B | 86 BPM | ||
Viderunt omnes: ...salutare suum ante conspectum gentium revelavit... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 86 BPM | ||
No More Sorrow | Will Todd, Tenebrae, James Sherlock, Nigel Short, English Chamber Orchestra | F♯ Major | 1 | 2B | 90 BPM | ||
Ecce sacerdos magnus, WAB 13 | Anton Bruckner, Tenebrae, Mark Templeton, Helen Vollam, Patrick Jackman, Alexander Mason, Nigel Short | A Major | 2 | 11B | 131 BPM | ||
Stabat Mater: Movement 2 | Paul Mealor, Tenebrae, Nigel Short, Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 75 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Amen, and With Thy Spirit | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 0 | 8B | 73 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM |
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