"Sonata in A minor for solo violin, Op. 27, No. 2: 1. Obsession; Prelude" by Eugène Ysaÿe, Guido Rimonda was released on September 1, 2017. The duration of Sonata in A minor for solo violin, Op. 27, No. 2: 1. Obsession; Prelude is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Sonata in A minor for solo violin, Op. 27, No. 2: 1. Obsession; Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guido Rimonda, Camerata Ducale's "Le Violon Noir" album is number 5 out of 20. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Sonata in A minor for solo violin, Op. 27, No. 2: 1. Obsession; Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata in A minor for solo violin, Op. 27, No. 2: 1. Obsession; Prelude by Eugène Ysaÿe, Guido Rimonda to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | C Minor | 0 | 5A | 143 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Hymnus für 12 Violoncelli, Op. 57 | Julius Klengel, Peter Bruns, Martina Biondi, Carmen Dreßler, Timothy Hopkins, Jungin Huh, Moritz Klauk, Elisabeth Kogan, Angèle Legasa, Lukas Plag, Nerea Sorozábal, Friedrich Thiele, Fermin Villanueva, Margarethe Vogler, Dana de Vries | G Major | 1 | 9B | 89 BPM | ||
Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | G Major | 2 | 9B | 165 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Violin Sonata in A Minor, Op. 27 No. 2: I. Obsession: Prelude (Poco vivace) | Eugène Ysaÿe, Leonidas Kavakos | A Minor | 1 | 8A | 131 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM |
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