Johann Sebastian Bach, Keith Jarrett's 'The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987' came out on June 14, 2019. The duration of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987 is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Keith Jarrett's "J.S. Bach: The Well-Tempered Clavier, Book I (Live in Troy, NY / 1987)" album is number 1 out of 48. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Well-Tempered Clavier: Book 1, BWV 846-869: 1. Prelude in C Major, BWV 846 - Live in Troy, NY / 1987 by Johann Sebastian Bach, Keith Jarrett to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | G Major | 1 | 9B | 122 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Suite in G Minor, HWV 452: 3. Sarabande | George Frideric Handel, Keith Jarrett | B♭ Major | 1 | 6B | 70 BPM | ||
Sonatine: II. Ballad | Friedrich Gulda, Martin David Jones | E♭ Major | 0 | 5B | 70 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
The Sound of Silence (Arr. P. Glass for Piano) | Paul Simon, Nicolas Horvath | F Major | 1 | 7B | 62 BPM |
Section: 0.5750267505645752
End: 0.5791342258453369