Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies's 'Canzona seconda a 4, due canti e due bassi' came out on January 1, 2004. With this song being about 5 minutes long, at 4:38, "Canzona seconda a 4, due canti e due bassi" by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 21 in Frescobaldi: Canzoni by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies. Based on our statistics, Canzona seconda a 4, due canti e due bassi's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzona seconda a 4, due canti e due bassi by Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ln Nomine Crye | Christopher Tye, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
XLIV. Tombeau des regrets: Tombeau Les Regrets - Quarrillon - Apel de Charon - Les pleurs - Joye des Elizées - Reprise: Les pleurs | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 79 BPM |
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