"Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part II: Due belli occhi fur l'armi onde trafitto" by Claudio Monteverdi / Marino (t), Alfred Deller, Deller Consort was released on May 19, 2009. With this song being about 5 minutes long, at 4:51, "Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part II: Due belli occhi fur l'armi onde trafitto" by Claudio Monteverdi / Marino (t), Alfred Deller, Deller Consort is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part II: Due belli occhi fur l'armi onde trafitto is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part II: Due belli occhi fur l'armi onde trafitto by Claudio Monteverdi / Marino (t), Alfred Deller, Deller Consort is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major: III. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 3 | 11B | 133 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Ottone, re di Germania, HWV 15: Overture: II. Allegro | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | E♭ Major | 1 | 5B | 78 BPM | ||
Sinfonia in E Major: II. Vivace | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: V. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 4 | 7B | 149 BPM | ||
Naïs - Air de Triomphe | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 3 | 2B | 75 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Violin Sonata in E-Flat Major: I. Allegretto | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 78 BPM | ||
Symphony No. 82 in E Minor: III. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 97 BPM |
Section: 0.518157958984375
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