- BPM
- 71
- Key
- E♭ Major
- Camelot
- 5B
O Ewigkeit, du Donnerwort, BWV 60: Chorale: Es ist genung (Chorus) - Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 13%
- Instrumentalness
- 32%
- Liveness
- 21%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 7%
- Loudness
- -16.22 dB
Summary
"O Ewigkeit, du Donnerwort, BWV 60: Chorale: Es ist genung (Chorus)" by Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on October 26, 2010. With O Ewigkeit, du Donnerwort, BWV 60: Chorale: Es ist genung (Chorus) being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. O Ewigkeit, du Donnerwort, BWV 60: Chorale: Es ist genung (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
O Ewigkeit, du Donnerwort, BWV 60: Chorale: Es ist genung (Chorus) BPM
The tempo marking of O Ewigkeit, du Donnerwort, BWV 60: Chorale: Es ist genung (Chorus) by Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
O Ewigkeit, du Donnerwort, BWV 60: Chorale: Es ist genung (Chorus) Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Jesu, der du meine Seele, BWV 78: Chorale: Herr, ich glaube, hilf mir Schwachem (Chorus) | Johann Sebastian Bach, Malin Hartelius, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 1 | 11A | 73 BPM | |
 | III. Wer Dank Opfert, Der Preiset Mich BWV 17, Seconda Parte, Choral (Coro): Wie Sich Ein Vat'R Erbarmet | Pieter Jan Leusink, Knut Schoch, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Ruth Holton | A♭ Major | 2 | 4B | 84 BPM | |
 | St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" | Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly | B Minor | 2 | 10A | 111 BPM | |
 | I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | |
 | Wir müssen durch viel Trübsal BWV 146 | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Deborah York, Sandrine Piau, Johannette Zomer | E Major | 1 | 12B | 84 BPM | |
 | II. Der Friede Sei Mit Dir BWV 158, 4. Choral (Coro): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Pieter Jan Leusink | E♭ Minor | 1 | 2A | 144 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 40, Choral. "Bin ich gleich von dir gewichen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | A♭ Major | 1 | 4B | 85 BPM | |
 | Jesus nahm zu sich die Zwölfe, BWV 22: Recitative: Mein Jesu, ziehe mich nach dir (Bass) | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 80 BPM | |
 | Missa in G Minor, BWV 235: II. Gloria | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Anna Zander, Carlos Mena, Hans-Jörg Mammel, Maria Keohane, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | |
 | St. Matthew Passion, BWV 244 / Part One: No. 30 Evangelist, Jesus: "Und er kam zu seinen Jüngern" | Johann Sebastian Bach, Peter Schreier, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 110 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9840519428253174
End: 0.9889116287231445