St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen"
Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly
Bach, J.S.: St. Matthew Passion
0:43 January 1, 2010
BPM
111
Key
B Minor
Camelot
10A

Embed

Share Link

St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" - Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly Information

Acousticness
97%
Danceability
50%
Energy
25%
Instrumentalness
0%
Liveness
32%
Loudness
76%
Speechiness
5%
Valence
35%
Popularity
Loudness
-14.307 dB

Summary

Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly's 'St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen"' came out on January 1, 2010. With St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 68 in Bach, J.S.: St. Matthew Passion by Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" BPM

The tempo marking of St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" by Johann Sebastian Bach, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester, Riccardo Chailly is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

St. Matthew Passion, BWV 244 / Part One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 by Carl Philipp Emanuel Bach, Ana-Marija MarkovinaSolfeggio No. 1 in C Minor, Wq. 117/2, H. 220Carl Philipp Emanuel Bach, Ana-Marija MarkovinaF Minor24A76 BPM
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro by Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of EnlightenmentBrandenburg Concerto No. 1 in F BWV1046: III. AllegroJohann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of EnlightenmentE Major312B92 BPM
Trio In G Minor, BWV 929 by Janos Sebestyen, Johann Sebastian BachTrio In G Minor, BWV 929Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso by Chiyan Wong, Johann Sebastian Bach, Ferruccio BusoniGoldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e decisoChiyan Wong, Johann Sebastian Bach, Ferruccio BusoniD Major210B105 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fugue by Janos Sebestyen, Johann Sebastian BachFantasia And Fugue In A Minor, BWV 904 : FugueJanos Sebestyen, Johann Sebastian BachA Minor38A132 BPM
Clarinet Concerto in B-Flat Major: Andante sostenuto by Gaetano Donizetti, Camerata De Budapest, Laszlo KovacsClarinet Concerto in B-Flat Major: Andante sostenutoGaetano Donizetti, Camerata De Budapest, Laszlo KovacsB♭ Minor03A69 BPM
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song"Felix Mendelssohn, Daniel BarenboimG Minor06A82 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) by Richard Strauss, Angela HewittMorgen, Op. 27 No. 4 (Arr. Reger for Piano)Richard Strauss, Angela HewittA Major211B143 BPM
Sonate en La Mineur, K. 109: Adagio by Domenico Scarlatti, Anne QueffélecSonate en La Mineur, K. 109: AdagioDomenico Scarlatti, Anne QueffélecA Minor08A136 BPM
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero AdagioCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor25A176 BPM
ISRC
GBBBA0942203
Label
L-M Records/RCA Records

Section: 0.8740341663360596

End: 0.8823187351226807