Francesco Geminiani, Concerto Köln's 'Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: III. Grave - Allegro - Andante - Allegro' came out on September 20, 2019. With this song being about 5 minutes long, at 4:37, "Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: III. Grave - Allegro - Andante - Allegro" by Francesco Geminiani, Concerto Köln is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Francesco Geminiani, Concerto Köln's "Geminiani: Quinta Essentia" album is number 23 out of 34. Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: III. Grave - Allegro - Andante - Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: III. Grave - Allegro - Andante - Allegro by Francesco Geminiani, Concerto Köln to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Recorder Sonata No. 11 in A Minor: I. Largo | Domenico Sarro, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Mensa sonora / PARS I (In D Major): 2. Allamanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 109 BPM | ||
Flute Concerto in D Minor, QV 5:81: I. Allegro e con spirito | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 92 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
Concerto In D Major, Op.26, No.6: 3. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 109 BPM |
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