Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre - Wolfgang Amadeus Mozart, Carol Vaness, Frank Lopardo, Riccardo Muti, Wiener Philharmoniker Information

Acousticness: 98%
Danceability: 28%
Energy: 3%
Instrumentalness: 0%
Liveness: 10%
Loudness: 55%
Speechiness: 6%
Valence: 5%
Popularity: 20%
Loudness: -26.782 dB

Summary

"Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre" by Wolfgang Amadeus Mozart, Carol Vaness, Frank Lopardo, Riccardo Muti, Wiener Philharmoniker was released on October 11, 1991. The duration of Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 70 in Don Giovanni by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti. Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre BPM

The tempo marking of Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre by Wolfgang Amadeus Mozart, Carol Vaness, Frank Lopardo, Riccardo Muti, Wiener Philharmoniker is Grave (very slow), since this song has a tempo of 33 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Don Giovanni, K. 527, Act I Scene 1: Ah! Del padre in periglio...Ma qual mai s'offre Key

The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo	Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger	G Major	1	9B	144 BPM
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: II. Andantino	Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm	C Minor	1	5A	130 BPM
Violin Concerto No. 3 in G, K.216: 2. Adagio	Wolfgang Amadeus Mozart, Franco Gulli, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado	A Major	0	11B	104 BPM
Sinfonia in D Major, BWV 1045: I. Allegro	Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl	D Major	3	10B	98 BPM
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile	Eder Quartet	C Major	0	8B	65 BPM
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor	Robert Schumann, Anne Gastinel	F Major	1	7B	104 BPM
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles	Pyotr Ilyich Tchaikovsky, Valentina Lisitsa	F Major	0	7B	100 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Major	0	2B	0 BPM
The Hebrides, Op. 26 "Fingal's Cave"	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	D Major	1	10B	137 BPM
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	129 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6939282417297363

End: 0.6975710391998291