Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 2 Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca)' came out on 1953. The duration of Puccini: Tosca, Act 2 Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Puccini: Tosca, Act 2 Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 2 Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 2 Scene 5: "Se la giurata fede debbo tradir" (Scarpia, Tosca) by Giacomo Puccini, Maria Callas, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 3: E non giungono | Giacomo Puccini, Katia Ricciarelli, José Carreras, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 168 BPM | ||
Carmen (1997 - Remaster), Act III: Quelques lignes plus bas | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 88 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Major | 3 | 11B | 136 BPM | ||
Il Barbiere di Siviglia: Contro un cor che accende amore - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 131 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Il Barbiere di Siviglia, Act One, Scene One: La ran la le ra - Largo al factotum (Figaro) - 2007 Digital Remaster | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Tito Gobbi | G Major | 3 | 9B | 64 BPM | ||
Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 85 BPM | ||
Cherubini: Medea, Act 2: "Hai dato pronto ascolto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B♭ Major | 0 | 6B | 96 BPM | ||
Carmen (1997 - Remaster), Act III: Ecoute, écoute, compagnon, écoute | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM |
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