- BPM
- 86
- Key
- F♯ Minor
- Camelot
- 11A
Andrea Chenier: Come Un Bel Di Maggio - Thomas Harper, Slovak Radio Symphony Orchestra, Umberto Giordano, Luigi Illica Information
- Acousticness
- 96%
- Danceability
- 34%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 2%
- Loudness
- -15.562 dB
Summary
"Andrea Chenier: Come Un Bel Di Maggio" by Thomas Harper, Slovak Radio Symphony Orchestra, Umberto Giordano, Luigi Illica was released on December 31, 1995. The duration of Andrea Chenier: Come Un Bel Di Maggio is about 3 minutes long, at 3:00. Based on our data, "Andrea Chenier: Come Un Bel Di Maggio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in Best Of Opera, Vol. 3 by Francesco Maria Piave. Andrea Chenier: Come Un Bel Di Maggio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Andrea Chenier: Come Un Bel Di Maggio BPM
The tempo marking of Andrea Chenier: Come Un Bel Di Maggio by Thomas Harper, Slovak Radio Symphony Orchestra, Umberto Giordano, Luigi Illica is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Andrea Chenier: Come Un Bel Di Maggio Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | |
 | L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | |
 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Thomas Harper, RTÉ National Symphony Orchestra, Michael Halasz | F Major | 1 | 7B | 46 BPM | |
 | Tchaikovsky: Suite from Swan Lake, Op. 20a: I. Scene. Moderato | Pyotr Ilyich Tchaikovsky, Alexander Lazarev, The Bolshoi Symphony Orchestra | A♭ Minor | 3 | 1A | 79 BPM | |
 | La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | |
 | The Firebird Suite *: Berceuse / Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B Major | 0 | 1B | 84 BPM | |
 | Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | |
 | Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | |
 | Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 80 BPM | |
 | Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6233339309692383
End: 0.6271522045135498