"Scheherazade, Op. 35: Scheherazade, Op. 35: II. The Legend of the Kalendar Prince" by Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz was released on February 1, 2011. Scheherazade, Op. 35: Scheherazade, Op. 35: II. The Legend of the Kalendar Prince appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Rimsky-Korsakov: Scheherazade". In this album, this song's track order is #2. Based on our statistics, Scheherazade, Op. 35: Scheherazade, Op. 35: II. The Legend of the Kalendar Prince's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: Scheherazade, Op. 35: II. The Legend of the Kalendar Prince by Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major) | Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 0 | 11B | 69 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | G Major | 2 | 9B | 93 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Overture [Robin Hood Prince of Thieves] | Michael Kamen, John Cerrninaro, Seattle Symphony Orchestra | B♭ Major | 2 | 6B | 62 BPM | ||
Dvořák: Suite in A Major, Op. 98b, B. 190 "American": I. Andante con moto | Antonín Dvořák, Royal Liverpool Philharmonic Orchestra, Libor Pešek | E Major | 4 | 12B | 101 BPM | ||
Scherzo in D Minor | Pavel Kogan, Moscow State Symphony Orchestra | D Minor | 4 | 7A | 121 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen | G Minor | 1 | 6A | 137 BPM | ||
Florida Suite: I. Daybreak - Dance | Frederick Delius, Ulster Orchestra, Vernon Handley | A Major | 1 | 11B | 74 BPM | ||
String Sextet In A Major: IV. Andante Expressivo | Wiener Streichsextett, Nikolai Rimsky-Korsakov | E Major | 1 | 12B | 74 BPM |
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