"The Sleeping Beauty, Op. 66 : Finale: Carabosse et la Fee des Lilas (Carabosse and the Lilac Fairy)" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice was released on July 31, 1992. Since The Sleeping Beauty, Op. 66 : Finale: Carabosse et la Fee des Lilas (Carabosse and the Lilac Fairy) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #13. In terms of popularity, The Sleeping Beauty, Op. 66 : Finale: Carabosse et la Fee des Lilas (Carabosse and the Lilac Fairy) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Finale: Carabosse et la Fee des Lilas (Carabosse and the Lilac Fairy) by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Sleeping Beauty Waltz | London Philharmonic Orchestra | B♭ Major | 3 | 6B | 169 BPM | ||
The Sleeping Beauty, Op. 66 : L'oiseau Bleu Et La Princesse Florine (Variation II) (The Blue Bird and Princess Florine) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | F Major | 1 | 7B | 121 BPM | ||
Opening Waltz (Onegin Ballet Suite No 13) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A Major | 1 | 11B | 101 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
The Skaters - Waltz (arr. Norman Bates) | Émile Waldteufel, Monte-Carlo Philharmonic Orchestra, Willi Boskovsky | A Major | 1 | 11B | 101 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N16, "Italian": I. Allegro vivace | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | A Major | 2 | 11B | 77 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 137 BPM |
Section: 0.6177587509155273
End: 0.6216652393341064