"Sibil-La Mallorquina: E Dirà Cascú Axí R/ (Monastère Des Nonnes De La Concepció)" by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall was released on January 1, 2004. The duration of Sibil-La Mallorquina: E Dirà Cascú Axí R/ (Monastère Des Nonnes De La Concepció) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Sibil-La Mallorquina: E Dirà Cascú Axí R/ (Monastère Des Nonnes De La Concepció)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in El Cant De La Sibil-La: Mallorca / València, 1400-1560 by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall. Sibil-La Mallorquina: E Dirà Cascú Axí R/ (Monastère Des Nonnes De La Concepció) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sibil-La Mallorquina: E Dirà Cascú Axí R/ (Monastère Des Nonnes De La Concepció) by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folia | Giovanni Paolo Foscarini, Private Musicke | C Major | 1 | 8B | 86 BPM | ||
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
A Solfing Song | Thomas Tallis, The Rose Consort Of Viols | E Major | 0 | 12B | 96 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
sopra Canaryo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 79 BPM | ||
Todos los bienes del mundo | Juan del Encina, Accentus Ensemble, Thomas Wimmer | A Minor | 5 | 8A | 107 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Au joly jeu | Clément Janequin, Harmonia Recorder Ensemble | C Major | 0 | 8B | 105 BPM |
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