Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch's 'Die Walkure: Act I Scene 2: Ein trauriges Kind rief mich zum Trutz (Siegmund)' came out on May 2, 2012. The duration of Die Walkure: Act I Scene 2: Ein trauriges Kind rief mich zum Trutz (Siegmund) is about 3 minutes long, at 3:17. Based on our data, "Die Walkure: Act I Scene 2: Ein trauriges Kind rief mich zum Trutz (Siegmund)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard Wagner, Hans Knappertsbusch's "Hans Knappertbusch: Richard Wagner's Der Ring Des Nibelungen" album is number 8 out of 205. On top of that, United States appears to be the country where this track was created. Based on our statistics, Die Walkure: Act I Scene 2: Ein trauriges Kind rief mich zum Trutz (Siegmund)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Walkure: Act I Scene 2: Ein trauriges Kind rief mich zum Trutz (Siegmund) by Richard Wagner, Wolfgang Windgassen, Josef Greindl, Hans Hotter, Gré Brouwenstijn, Astrid Varnay, Georgine Von Milinkovic, Bayreuth Festival Orchestra, Hans Knappertsbusch to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | C Major | 2 | 8B | 62 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM |
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