"Recorder Quartet in B-Flat Major: III. Grave" by Johann Friedrich Fasch, Epoca Barocca was released on January 1, 2007. The duration of Recorder Quartet in B-Flat Major: III. Grave is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Recorder Quartet in B-Flat Major: III. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 25 in Fasch: Bassoon Sonata / 3 Quartets / 2 Trios / Canon by Johann Friedrich Fasch, Epoca Barocca. The popularity of Recorder Quartet in B-Flat Major: III. Grave is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Recorder Quartet in B-Flat Major: III. Grave by Johann Friedrich Fasch, Epoca Barocca is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: I. Allegro | Giuseppe Torelli, Ostrava Janáček Chamber Orchestra, Ivan Zenaty, František Xaver Thuri | D Minor | 2 | 7A | 105 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
12 Flute Sonatas (1724), Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 75 BPM | ||
Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): V. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D♭ Minor | 2 | 12A | 101 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: I. Largo | Anthony Camden, City of London Sinfonia, Nicholas Ward | G Major | 0 | 9B | 73 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Concerto in D Major After BWV 169 and BWV 49: II. Siciliano | Johann Sebastian Bach, Les Muffatti, Bart Jacobs | B Minor | 1 | 10A | 77 BPM | ||
Sonata in B-Flat Major for Oboe, Recorder, Violin & Continuo, FaWV N:B1: III. Largo | Johann Friedrich Fasch, Barucco | E Major | 0 | 12B | 80 BPM | ||
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM |
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