On 2003, the song "Violin Concerto in D Major, Op. 61: 3. Rondo (arr. Jenkins)" was released by Ludwig van Beethoven, Adiemus, Karl Jenkins, The Adiemus Singers, London Philharmonic Orchestra. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 16 in Adiemus V - Vocalise by Daniel Hope, Zürcher Kammerorchester, Charl du Plessis Trio, Astor Piazzolla, Sarah Christ, Adiemus, Karl Jenkins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Concerto in D Major, Op. 61: 3. Rondo (arr. Jenkins)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Violin Concerto in D Major, Op. 61: 3. Rondo (arr. Jenkins) by Ludwig van Beethoven, Adiemus, Karl Jenkins, The Adiemus Singers, London Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scotland the Brave | Steve McDonald | F♯ Minor | 1 | 11A | 120 BPM | ||
Math Was A Wizard | Karl Jenkins, Adiemus, Jody Jenkins, Adiemus Orchestra, Miriam Stockley, Mary Carewe, Pamela Thorby, Martin Taylor | A Major | 4 | 11B | 79 BPM | ||
The Prophecy | Mychael Danna, Jeff Danna | G Minor | 3 | 6A | 59 BPM | ||
Song For Bassanio [The Merchant of Venice] | Ben Crawley, Baroque String Quartet | A Minor | 1 | 8A | 159 BPM | ||
And Soon the Day Will Fade Away | Philip Riley, Jayne Elleson | B♭ Major | 1 | 6B | 61 BPM | ||
Of Death & Dying | Hans Zimmer | C Major | 1 | 8B | 151 BPM | ||
Sozo | Kitaro | A Major | 2 | 11B | 115 BPM | ||
Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso) | Jules Massenet, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | E Minor | 1 | 9A | 80 BPM | ||
Martha's Harbour | Siobhan McCarthy | G Minor | 2 | 6A | 128 BPM | ||
The Piano: The Heart Asks Pleasure First | Myleene Klass | A Minor | 2 | 8A | 140 BPM |
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