"Song For Bassanio [The Merchant of Venice]" by Ben Crawley, Baroque String Quartet was released on January 1, 2004. With Song For Bassanio [The Merchant of Venice] being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Merchant of Venice". In this album, this song's track order is #8. Based on our statistics, Song For Bassanio [The Merchant of Venice]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Song For Bassanio [The Merchant of Venice] by Ben Crawley, Baroque String Quartet having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: Songs of Mercy and Redemption: 1. Principium | Karl Jenkins, Stephen Layton, Abel Selaocoe, Polyphony, Belinda Sykes, Maya Youssef, Catrin Finch | A Major | 1 | 11B | 72 BPM | ||
Silencium - Music of Inner Peace: 12. Silencium | John Harle, Sarah Leonard, Alexander Balanescu, Paul Clarvis, Choristers of Worcester Cathedral, Silencium Ensemble | G Minor | 2 | 6A | 85 BPM | ||
Cum Dederit | Armand Amar, Sandrine Piau | A Minor | 1 | 8A | 136 BPM | ||
The London Ball | Ruth Barrett | G Major | 0 | 9B | 70 BPM | ||
Midnight Walker | Davy Spillane | G Major | 2 | 9B | 103 BPM | ||
Kilar: The Ninth Gate: Vocalise | Wojciech Kilar, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | A Minor | 2 | 8A | 175 BPM | ||
O frondens virga | Hildegard von Bingen, Augsburg Early Music Ensemble | D Minor | 1 | 7A | 104 BPM | ||
The Rose | Ola Gjeilo, The Choir of Royal Holloway, 12 Ensemble | E Minor | 2 | 9A | 132 BPM | ||
Perfume: The Story of a Murderer: Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Berliner Philharmoniker, Sir Simon Rattle | C Major | 3 | 8B | 65 BPM | ||
Let My Prayer Arise, No. 2 | Dmitry Bortniansky, Estonian Philharmonic Chamber Choir, Paul Hillier | F Major | 2 | 7B | 137 BPM |
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