On 1967, the song "Radetsky March, Op. 228" was released by Johann Strauss I, Leonard Bernstein, New York Philharmonic. The duration of Radetsky March, Op. 228 is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Radetsky March, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonard Bernstein's "Great Marches" album is number 5 out of 24. In terms of popularity, Radetsky March, Op. 228 is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Radetsky March, Op. 228 by Johann Strauss I, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Lortzing: Zar und Zimmermann, Act III: 'Holzschuhtanz' | Albert Lortzing, Berliner Symphoniker, Berislav Klobucar | E♭ Major | 1 | 5B | 91 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Der Carneval in Paris, Galopp, Op. 100 | Johann Strauss I, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 81 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Hands Across The Sea | John Philip Sousa, Leonard Bernstein, New York Philharmonic | G Minor | 5 | 6A | 121 BPM | ||
Radetzky-Marsch | Johann Strauss I, Wolfgang Gröhs | G Major | 0 | 9B | 66 BPM | ||
Music for the Royal Fireworks, HWV 351: V. La Réjouissance. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 5 | 10B | 113 BPM |
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