"Escatologia. Canto Al Vangelo: Assumpta Est Maria" by Canonici Regolari Si Sant'Antimo was released on 1995. With Escatologia. Canto Al Vangelo: Assumpta Est Maria being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Canonici Regolari Si Sant'Antimo's "La Pietra Che Canta: Canti Gregoriani" album is number 25 out of 25. Based on our statistics, Escatologia. Canto Al Vangelo: Assumpta Est Maria's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Escatologia. Canto Al Vangelo: Assumpta Est Maria by Canonici Regolari Si Sant'Antimo to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maris Stella | Cantores in Ecclesia | D Major | 1 | 10B | 126 BPM | ||
Domine Deus | Schola Gregoriana Del Coro F. Paer | G Major | 1 | 9B | 91 BPM | ||
Cantus Missarum: Transitorium: Te laudamus | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | B♭ Major | 1 | 6B | 110 BPM | ||
Cantus Officiorum: Antiphona: In exitu Israel | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | B♭ Major | 1 | 6B | 177 BPM | ||
Venite Filii | Monks And Choir Boys Of Downside Abbey | G Minor | 1 | 6A | 100 BPM | ||
La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
Allelujia - Magnus Dominum - Proper for Easter, Movement 10 | St Dominic's Priory Choir | F Major | 2 | 7B | 129 BPM | ||
O Filii Et Filiae | The Benedictine Nuns of St. Cecilia's Abbey | G Minor | 1 | 6A | 133 BPM | ||
Cummune Unius Martyr | Pro Cantione Antiqua, Mark Brown | E Major | 0 | 12B | 133 BPM | ||
6ème dimanche de Pâques: Répons: Christus resurgens | Traditionnel, Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Dom Joseph Gajard | G Minor | 1 | 6A | 133 BPM |
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