"Piippolan vaari" by Lauri Pulakka, Traditional, Ostrobothnian Chamber Orchestra was released on July 1, 2013. With Piippolan vaari being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lauri Pulakka's "Leikkikalu Satakieli" album is number 3 out of 17. On top of that, Finland appears to be the country where this track was created. Piippolan vaari is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piippolan vaari by Lauri Pulakka, Traditional, Ostrobothnian Chamber Orchestra to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Aria Variata Alla maniera italiana in A Minor, BWV 989: No. 5, Variation IV. Allegro - Arr. for Baroque Ensemble in G Minor | Johann Sebastian Bach, Concerto Italiano, Rinaldo Alessandrini | F♯ Major | 0 | 2B | 80 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Ouverture No. 6 in G Minor: III. Allegro | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Sonata No. 10 in B Minor: III. Largo | Francesco Mancini, Claudio Ferrarini | D♭ Minor | 4 | 12A | 116 BPM | ||
Chamber Air's, Op. 2: Sonata No. 3 in G Major: I. Preludio: Largo | Richard Jones, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | F♯ Major | 1 | 2B | 84 BPM | ||
10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande | François Francoeur, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | F♯ Major | 4 | 2B | 108 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Sonata da camera in G Minor, Op. 1, No. 9: I. Adagio | Giovanni Battista Somis, Kreeta-Maria Kentala, Lauri Pulakka, Mitzi Meyerson | E♭ Major | 1 | 5B | 124 BPM |
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