"Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Zum Lebenswasser! Zur Schwelle des Todes! (Falken, Chorus)" by Richard Strauss, Brenda Rae, Frankfurter Opern- und Museumsorchester, Chor der Oper Frankfurt, Sebastian Weigle had its release date on October 2, 2015. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Zum Lebenswasser! Zur Schwelle des Todes! (Falken, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Zum Lebenswasser! Zur Schwelle des Todes! (Falken, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234, Act II: Act II: Zum Lebenswasser! Zur Schwelle des Todes! (Falken, Chorus) by Richard Strauss, Brenda Rae, Frankfurter Opern- und Museumsorchester, Chor der Oper Frankfurt, Sebastian Weigle having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Violin Concerto In D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | A♭ Major | 1 | 4B | 177 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |