"Three sketches for solo cello III" by Jonathan Harvey, Frances-Marie Uitti was released on January 1, 1991. With this song being about 5 minutes long, at 4:36, "Three sketches for solo cello III" by Jonathan Harvey, Frances-Marie Uitti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jonathan Harvey, The Arturo Toscanini Orchestra, José Ramón Encinar, Frances-Marie Uitti's "Jonathan Harvey, Cello Concerto, Curve with plateaux, Sketches and Philia's dream" album is number 6 out of 7. Three sketches for solo cello III is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three sketches for solo cello III by Jonathan Harvey, Frances-Marie Uitti to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ramp Up | Red Lemon | G Major | 1 | 9B | 0 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
Cello Concerto No. 2, W516: III. Scherzo. Vivace - Cadenza | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Daphnis et Chloé, M. 57, Deuxième Partie. Camp des pirates: No. 7, Introduction | Maurice Ravel, Sinfonia of London Chorus, Sinfonia Of London, John Wilson | D♭ Major | 3 | 3B | 86 BPM | ||
3 Cuentos para Alhambra: No. 2, El sueño de una noche de invierno | Emilio Calandin, Andrea González Caballero | D♭ Major | 0 | 3B | 105 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Concerto pour piano et orchestre: I. Vivace molto ritmico e preciso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Dimitri Vassilakis | B Minor | 0 | 10A | 134 BPM | ||
Quatro Peças Sintéticas: Lento - Tenso | Trio Puelli | A♭ Major | 1 | 4B | 84 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM |
Section: 0.7634274959564209
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