Requiem, Op. 48: Offertory - Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter Information

Acousticness: 99%
Danceability: 23%
Energy: 10%
Instrumentalness: 89%
Liveness: 10%
Loudness: 64%
Speechiness: 5%
Valence: 4%
Popularity: 18%
Loudness: -21.807 dB

Summary

"Requiem, Op. 48: Offertory" by Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter was released on April 1, 2010. Since Requiem, Op. 48: Offertory is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 16 in Faure: Requiem - Messe basse by Gabriel Fauré, The Cambridge Singers, John Rutter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Requiem, Op. 48: Offertory is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem, Op. 48: Offertory BPM

The tempo marking of Requiem, Op. 48: Offertory by Gabriel Fauré, Caroline Ashton, Stephen Varcoe, The Cambridge Singers, Simon Standage, John Scott, City of London Sinfonia, John Rutter is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Requiem, Op. 48: Offertory Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem, Op.48: 5. Agnus Dei (Chorus)	Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann	B♭ Major	2	6B	88 BPM
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso	John Ireland, Richard Hickox, City of London Sinfonia	B♭ Major	1	6B	133 BPM
Otche Nach	Nikolay Kedrov, Skylark Vocal Ensemble, Matthew Guard	C Major	1	8B	75 BPM
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei	Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor	D Minor	0	7A	143 BPM
Ave verum	Philip Stopford, The Ecclesium Choir	F♯ Minor	1	11A	142 BPM
Mass for Double Choir: II. Gloria	Frank Martin, Westminster Choir, Joe Miller	C Major	1	8B	88 BPM
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie	Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir	D Major	1	10B	79 BPM
Nolo mortem peccatoris	Thomas Morley, Stile Antico	F Minor	1	4A	79 BPM
Magnificat: VI. Esurientes	John Rutter, Patricia Forbes, City of London Sinfonia, The Cambridge Singers	G Major	1	9B	71 BPM
Requiem: The Lord is my shepherd	John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown	F Major	0	7B	96 BPM

ISRC: GBAKR8452002
Label: L-M Records/RCA Records

Section: 0.5795466899871826

End: 0.5830903053283691