On January 1, 1999, the song "Concerto a 5 in C Major, Op. 5, No. 12: III. Allegro" was released by Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay. The duration of Concerto a 5 in C Major, Op. 5, No. 12: III. Allegro is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Concerto a 5 in C Major, Op. 5, No. 12: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 36 in Albinoni, T.: Concerti A 5 - Opp. 5, Nos. 1-12 by Tomaso Albinoni, Budapest Strings, Karoly Botvay. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Concerto a 5 in C Major, Op. 5, No. 12: III. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto a 5 in C Major, Op. 5, No. 12: III. Allegro by Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 0 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Albinoni: Concerto for Two Oboes in D Major, Op. 9 No. 12: I. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | E Minor | 2 | 9A | 96 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM |
Section: 0.732973575592041
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