"La Chevaleresque, Polka Mazur, Op. 42" by Josef Strauss, Slovak Radio Symphony Orchestra was released on January 16, 1997. The duration of La Chevaleresque, Polka Mazur, Op. 42 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. La Chevaleresque, Polka Mazur, Op. 42's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josef Strauss's "Josef Strauss: Edition - Vol. 4" album is number 6 out of 12. On top of that, Hong Kong appears to be the country where this track was created. La Chevaleresque, Polka Mazur, Op. 42 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Chevaleresque, Polka Mazur, Op. 42 by Josef Strauss, Slovak Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Sylvia: Pizzicato (aus Suite) | Léo Delibes, Nurnberger Symphoniker, Räto Tschupp | E♭ Major | 1 | 5B | 131 BPM | ||
Coppelia Ballet Suite: Czardas | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | D Major | 1 | 10B | 95 BPM | ||
Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand): IV. Farandole | Georges Bizet, Berlin Rundfunk Symphonie Orchester, Heinz Rögner | D Major | 5 | 10B | 147 BPM | ||
Leichte Kavallerie: Overture | Franz von Suppé, Munich Radio Orchestra, Ivan Repušić | E Major | 3 | 12B | 128 BPM |
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