John Garth, Gary Cooper, The Avison Ensemble's ' "Keyboard Sonata in F Major, Op. 2, No. 2: II. Presto" was released on its scheduled release date, May 6, 2014. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Keyboard Sonata in F Major, Op. 2, No. 2: II. Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Garth, The Avison Ensemble's "Garth: Accompanied Keyboard Sonatas, Opp. 2 & 4" album is number 4 out of 24. In terms of popularity, Keyboard Sonata in F Major, Op. 2, No. 2: II. Presto is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Sonata in F Major, Op. 2, No. 2: II. Presto by John Garth, Gary Cooper, The Avison Ensemble to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
6 Sonates meleese de pieces, Op. 2: I. Sonata in G Major, "L’Henriette": II. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
Concerto In F For Organ, Op 4 No 4: Allegro | A Nanut | D Major | 1 | 10B | 63 BPM | ||
Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
Sonata for two Cellos in E Minor: II. Allegro | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | B♭ Minor | 1 | 3A | 130 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Cello Concerto in D Minor, Op. 1, No. 5: II. Adagio - Affettuoso | John Garth, Richard Tunnicliffe, The Avison Ensemble, Pavlo Beznosiuk | E Major | 1 | 12B | 76 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM |