Suite for Cello Solo No.6 in D, BWV 1012 - Transcribed for Solo Guitar by Göran Söllscher: Gavotte I/II - Johann Sebastian Bach, Göran Söllscher Information

Acousticness: 96%
Danceability: 42%
Energy: 14%
Instrumentalness: 90%
Liveness: 12%
Loudness: 61%
Speechiness: 5%
Valence: 48%
Popularity: 17%
Loudness: -23.359 dB

Summary

Johann Sebastian Bach, Göran Söllscher made "Suite for Cello Solo No.6 in D, BWV 1012 - Transcribed for Solo Guitar by Göran Söllscher: Gavotte I/II" available on January 1, 1992. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Göran Söllscher's "J.S. Bach: Transcriptions for Guitar Solo" album is number 18 out of 18. Suite for Cello Solo No.6 in D, BWV 1012 - Transcribed for Solo Guitar by Göran Söllscher: Gavotte I/II is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Suite for Cello Solo No.6 in D, BWV 1012 - Transcribed for Solo Guitar by Göran Söllscher: Gavotte I/II BPM

We consider the tempo marking of Suite for Cello Solo No.6 in D, BWV 1012 - Transcribed for Solo Guitar by Göran Söllscher: Gavotte I/II by Johann Sebastian Bach, Göran Söllscher to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Suite for Cello Solo No.6 in D, BWV 1012 - Transcribed for Solo Guitar by Göran Söllscher: Gavotte I/II Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata in G, BuxWV 271: I. Allegro	Dietrich Buxtehude, La Rêveuse	F♯ Major	3	2B	83 BPM
Fantasia D major - Arranged by Gunnar Spjuth	David Kellner, Göran Söllscher	F Major	2	7B	153 BPM
Bach, JS / Arr Balsom: Trio Sonata in C Major, BWV 529: I. Allegro	Johann Sebastian Bach, Alison Balsom, Alina Ibragimova, Mark Caudle, Alistair Ross, Alina Ibragimova, Mark Caudle, Alistair Ross	C Major	3	8B	96 BPM
Telemann: Concerto for four violins - Allegro	Charivari Agréable	F♯ Major	1	2B	131 BPM
Pasaje aragueno	Antonio Lauro, Victor Villadangos	A Major	2	11B	106 BPM
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	1	7A	61 BPM
Piano Sonata No. 12 in F Major, K. 332: II. Adagio	Wolfgang Amadeus Mozart, Maria João Pires	F Major	0	7B	73 BPM
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante	Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon	A Minor	1	8A	99 BPM
Tansman: Musique de cour d'après Robert de Visée: II. Menuet	Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse	G Minor	1	6A	69 BPM
Concerto Grosso No. 3 in F Major: IV. Largo	Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek	D Minor	1	7A	167 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5612006187438965

End: 0.5676798820495605