"Bizet: Carmen - Habanera - slowed + reverb" by Georges Bizet, Classical Slowed + Reverb was released on October 6, 2023. The duration of Bizet: Carmen - Habanera - slowed + reverb is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Bizet: Carmen - Habanera - slowed + reverb's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Bizet: Carmen - Habanera - slowed + reverb and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Bizet: Carmen - Habanera - slowed + reverb is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bizet: Carmen - Habanera - slowed + reverb by Georges Bizet, Classical Slowed + Reverb is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Variations on a Theme by Tchaikovsky, Op. 35a: II. Var. I. Un poco più Mosso | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | C Major | 4 | 8B | 182 BPM | ||
世界名曲:金婚式 | 蔡榮吉, 李淑雲, 吳爾笠 | A Minor | 1 | 8A | 75 BPM | ||
Capriol Suite: II. Pavane | Peter Warlock, Büyükada Ensemble, James Ross | B♭ Major | 1 | 6B | 76 BPM | ||
Russian March | Johann Sebastian Strauss, London Festival Orchestra | G Major | 1 | 9B | 182 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Eyub Sultan | Can Atilla | A Minor | 2 | 8A | 90 BPM | ||
Sauguet: Les forains: La représentation. Le prestidigitateur et la poupée | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |
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