Luisa Fernanda, Federico Moreno Torroba, Fernández Shaw's 'Fado Del Lorito' came out on January 1, 2006. The duration of Fado Del Lorito is about 3 minutes long, at 3:05. Based on our data, "Fado Del Lorito" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Originals - Luisa Fernanda -". In this album, this song's track order is #11. Based on our statistics, Fado Del Lorito's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fado Del Lorito by Luisa Fernanda, Federico Moreno Torroba, Fernández Shaw having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Taberna del Puerto, Act II, Scene 2: En un País de Fábula (Marola, Juan, Simpson, Coro de hombres) | Pablo Sorozábal, Orquesta Sinfónica de Galicia, Victor Pablo Pérez, Maria Bayo, Juan Pons, Enrique Ba, Orfeon Donostiarra, José Antonio Saenz | B♭ Major | 1 | 6B | 114 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Luisa Fernanda, Acto ii: Escena y cuarteto | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | D Minor | 3 | 7A | 199 BPM | ||
La Paloma | Sebastián de Yradier, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | C Major | 2 | 8B | 132 BPM | ||
Lagarteranas (de "El huésped del sevillano") | Lucero Tena | D♭ Major | 10 | 3B | 199 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Encontrarlo Es Mi Destino | Luisa Fernanda | G Major | 9 | 9B | 150 BPM | ||
Una Morena y una Rubia: "Seguidillas" | Coros Cantores De Madrid | B♭ Major | 4 | 6B | 92 BPM | ||
Dein ist Mein Ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 134 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "À Paris, nous arrivons en masse" - "Je suis Brésilien, j'ai de l'or" (Gardefeu, Le Baron, La Baronne, Le Brésilien, Chœur) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 98 BPM |
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