Johann Sebastian Bach, Murray Perahia made "French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II" available on October 7, 2016. The duration of French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II is about 3 minutes long, at 3:02. Based on our data, "French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Johann Sebastian Bach: The French Suites" album is number 4 out of 39. Based on our statistics, French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of French Suite No. 1 in D Minor, BWV 812: IV. Menuet I - V. Menuet II by Johann Sebastian Bach, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Concerto in B-Flat Major, Op.7, No.1: III. Largo, e piano | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 85 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
2-Part Inventions, BWV 772-786: Invention No. 1 in C Major, BWV 772 | Johann Sebastian Bach, Wolfgang Rübsam | A Minor | 3 | 8A | 64 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
Sonata in D Major, Hob. XVI:37: II. Largo e sostenuto | Franz Joseph Haydn, Olivier Cavé | D Minor | 0 | 7A | 70 BPM | ||
Orchestral Suite No. 2 In B Minor, BWV 1067: 7. Badinerie | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | E Minor | 2 | 9A | 87 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 1 | 6B | 132 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM |
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