Antonio Vivaldi, Lucy Ballard, Katherine Fuge, English Baroque Soloists, John Eliot Gardiner made "Gloria: Laudamus te" available on October 12, 2020. The duration of Gloria: Laudamus te is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Gloria: Laudamus te's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi Moods by Antonio Vivaldi. The song's track number on the album is #465 out of 465 tracks. Based on our statistics, Gloria: Laudamus te's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Gloria: Laudamus te by Antonio Vivaldi, Lucy Ballard, Katherine Fuge, English Baroque Soloists, John Eliot Gardiner has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Gloria: Laudamus te being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Laudate pueri in G Major, RV 601 "Salmo 112": VI. Ut collecet eum (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Major | 2 | 2B | 121 BPM | ||
Magnificat: V. Fecit potentiam | John Rutter, The Cambridge Singers, City of London Sinfonia | A Minor | 0 | 8A | 129 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2d. Gloria: Domine | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Lotti: Crucifixus (8 part) | Antonio Lotti, The Sixteen, Harry Christophers | C Minor | 2 | 5A | 64 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Gloria in D, R.589: Allegro: Quoniam tu solus sanctus | Antonio Vivaldi, The English Concert, Trevor Pinnock, Paul Goodwin, Mark Bennett, The English Concert Choir | D♭ Major | 2 | 3B | 130 BPM | ||
Der Tod und das Mädchen, D. 531 (Op.7/3) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM |
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