Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.15 in G major BWV884' came out on 2004. With Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.15 in G major BWV884 being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 78 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.15 in G major BWV884's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 2 : Fugue No.15 in G major BWV884 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 68 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : II. Allemande | Pablo Casals | G Major | 2 | 9B | 108 BPM | ||
Lieder ohne Worte, Op.38: No. 2. Allegro non troppo In C Minor, MWV U 115 - "Lost Happiness" | Felix Mendelssohn, Daniel Barenboim | C Minor | 1 | 5A | 92 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Lieder ohne Worte, Op.38: No. 4. Andante In A, MWV U 120 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 95 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9, No. 11: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 3 | 6B | 114 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 | Frédéric Chopin, Daniel Barenboim | D♭ Major | 0 | 3B | 142 BPM |
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