"Les Contes d'Hoffmann, '(The) Tales of Hoffmann' (1989 Digital Remaster): Belle nuit, ô nuit d'amour (Barcarolle)" by Jeannine Collard, André Cluytens, Elisabeth Schwarzkopf, Orchestre De La Société Des Concerts Du Conservatoire was released on 2003. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 37 in Classical Heartbreakers by Various Artists. Les Contes d'Hoffmann, '(The) Tales of Hoffmann' (1989 Digital Remaster): Belle nuit, ô nuit d'amour (Barcarolle) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Contes d'Hoffmann, '(The) Tales of Hoffmann' (1989 Digital Remaster): Belle nuit, ô nuit d'amour (Barcarolle) by Jeannine Collard, André Cluytens, Elisabeth Schwarzkopf, Orchestre De La Société Des Concerts Du Conservatoire is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: III. Clair de lune | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Romeo and Juliette, Act IV: Orchestra | Charles Gounod, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation III (Mäßiges Zeitmaß) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
Stabat Mater, FP 148: 4. Quae moerebat | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Major | 1 | 4B | 76 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Blicket auf zum Retterblick" | Gustav Mahler, René Kollo, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 2 | 10B | 99 BPM | ||
Concerto for Orchestra, Sz. 116: 3. Elegia (Andante, non troppo) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 80 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM |
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