"Una Furtiva Lagrima (L'elisir D'amore)" by Jussi Björling, Royal Opera Orchestra Stockholm was released on March 3, 1931. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Una Furtiva Lagrima (L'elisir D'amore) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Una Furtiva Lagrima (L'elisir D'amore) by Jussi Björling, Royal Opera Orchestra Stockholm having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
Rossini: Guillaume Tell, Act 4 Scene 11: "Pourquoi ta presence, ô mon père! ... Tout change et grandit en ces lieux!" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chorus) | Gioachino Rossini, Mady Mesplé/Jocelyne Taillon/Gabriel Bacquier/Nicolai Gedda/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | ||
7 Dikter, Op. 28: Jag längtar dig (Jussi Björling) | Hugo Alfvén, Jussi Björling, Stockholm Royal Opera Orchestra, Nils Grevillius | E Major | 3 | 12B | 86 BPM | ||
Gitarren klinger | Sven Gyldmark, Jussi Björling, Nils Grevillius | G Major | 3 | 9B | 92 BPM | ||
Verdi's Aida - Se Quel Guerrier Celeste Aida | Jussi Björling | B♭ Major | 3 | 6B | 98 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM | ||
Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej | Antonín Dvořák, Ben Heppner, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Rachmaninoff: 12 Romances, Op. 21: No. 5, Lilacs, "Morning skies" (Allegretto) | Sergei Rachmaninoff, Jussi Björling, Nils Grevillius, Stockholm Concert Society Orchestra | B Minor | 1 | 10A | 79 BPM |
Section: 0.5860960483551025
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