Six Metamorphoses after Ovid for Solo Oboe, Op. 49: V. Narcissus (Lento piacevole) - Benjamin Britten, François Leleux Information

Acousticness: 97%
Danceability: 33%
Energy: 6%
Instrumentalness: 68%
Liveness: 19%
Loudness: 57%
Speechiness: 5%
Valence: 15%
Popularity: 2%
Loudness: -25.791 dB

Summary

"Six Metamorphoses after Ovid for Solo Oboe, Op. 49: V. Narcissus (Lento piacevole)" by Benjamin Britten, François Leleux was released on 1995. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Six Metamorphoses after Ovid for Solo Oboe, Op. 49: V. Narcissus (Lento piacevole)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: V. Narcissus (Lento piacevole) BPM

The tempo marking of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: V. Narcissus (Lento piacevole) by Benjamin Britten, François Leleux is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: V. Narcissus (Lento piacevole) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Charterhouse Suite: Prelude	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	F Major	0	7B	134 BPM
Aladdin Suite, Op. 34, FS 89: I. The Festival March	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	A Minor	3	8A	112 BPM
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Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM
Peter Grimes Op. 33, PROLOGUE: Interlude I: Dawn	Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden	A Minor	1	8A	95 BPM
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One)	Igor Stravinsky, Teodor Currentzis, musicAeterna	D Minor	5	7A	136 BPM
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme	Benjamin Britten, London Symphony Orchestra, Steuart Bedford	B♭ Major	1	6B	83 BPM
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso	Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek	B♭ Major	2	6B	133 BPM
Suite pastorale: III. Sous-bois	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	G Major	0	9B	0 BPM

ISRC: FRZ149513200
Label: L-M Records/RCA Records

Section: 0.8195760250091553

End: 0.823897123336792