Reginald Jacques, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble's 'When Christ was born' had a release date set for September 1, 1991. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, When Christ was born is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of When Christ was born by Reginald Jacques, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano) | Johann Sebastian Bach, Ena Mitchell, Kathleen Ferrier, William Herbert, William Parsons, Cantata Singers, The, Jacques Orchestra, The, Thornton Lofthouse, Reginald Jacques | G Major | 2 | 9B | 109 BPM | ||
MASS: No. 7, Prayer for the Congregation "Almighty Father" | Leonard Bernstein, Wiener Singakademie, Unknown Artist, Dennis Russell Davies | C Major | 0 | 8B | 131 BPM | ||
Adoramus te, Christe | Théodore Dubois, Vienna Chamber Choir, Michael Grohotolsky | C Major | 0 | 8B | 102 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
Sleep My Child | Stellenbosch University Choir | A♭ Minor | 1 | 1A | 121 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | F Major | 2 | 7B | 70 BPM | ||
Ahooden Foforo | Harmonious Chorale Ghana | D♭ Minor | 6 | 12A | 108 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Yan Pascal Tortelier, BBC Philharmonic, City of Birmingham Symphony Chorus | D♭ Major | 0 | 3B | 70 BPM | ||
Italian Hymn "Thou Whose Almighty Word" | Felice Giardini, Norwich Cathedral Choir, Katherine Dienes-Williams, David Dunnett | G Major | 1 | 9B | 126 BPM |