Johann Sebastian Bach, Ena Mitchell, Kathleen Ferrier, William Herbert, William Parsons, Cantata Singers, The, Jacques Orchestra, The, Thornton Lofthouse, Reginald Jacques's 'Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano)' had a release date set for August 26, 2008. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 18 in Bach, J.S.: Ascension Oratorio, Bwv 11 / Arias / Handel G.F.: Arias (Ferrier) (1949, 1952) by Kathleen Ferrier, Sir Adrian Boult, Reginald Jacques. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ascension Oratorio: Lobet Gott in seinen Reichen, BWV 11: Aria: Jesus, all Thy loving kindness (Jesu, deine Gnadenblicke) (Soprano) by Johann Sebastian Bach, Ena Mitchell, Kathleen Ferrier, William Herbert, William Parsons, Cantata Singers, The, Jacques Orchestra, The, Thornton Lofthouse, Reginald Jacques is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM |