Plácido Domingo's 'La Bohème, Act I: Ehi! Rodolfo' came out on 2010. With La Bohème, Act I: Ehi! Rodolfo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Klaus Badelt's "L'immortel (Original Motion Picture Soundtrack)" album is number 5 out of 22. In terms of popularity, La Bohème, Act I: Ehi! Rodolfo is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La Bohème, Act I: Ehi! Rodolfo by Plácido Domingo to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenata Tapatia | Manuel Esperón, Ernesto Cortazar, Plácido Domingo, Julio Salazar | E Major | 3 | 12B | 180 BPM | ||
Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | ||
Total | Ricardo Perdomo, Plácido Domingo, Bebu Silvetti, Miami Symphonic Strings | F Minor | 6 | 4A | 91 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 75 BPM | ||
Por Eso Te Quiero | Ernesto Lecuona, Plácido Domingo, Lee Holdridge, Royal Philharmonic Orchestra | D Major | 4 | 10B | 83 BPM | ||
Ave Maria - Franz Schubert | Guadalupe Pineda | A Major | 3 | 11B | 178 BPM | ||
Brazil - Live | Bob Russell, Ary Barroso, José Carreras, Plácido Domingo, Luciano Pavarotti, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 8 | 5B | 118 BPM | ||
Schatz-walzer, Op. 418: Der Zigeunerbaron: Schatz-walzer (Treasure Waltz), Op. 418 | Strauss Festival Orchestra, Johann Strauss II | G Major | 1 | 9B | 97 BPM |
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