Francesco Cavalli, Caroline Meng, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Vanne, e poiché spedita al Ciel'io torno" (Giunone) - Simphonie pour l'envol de Junon' came out on September 3, 2015. With Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Vanne, e poiché spedita al Ciel'io torno" (Giunone) - Simphonie pour l'envol de Junon being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 14 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Vanne, e poiché spedita al Ciel'io torno" (Giunone) - Simphonie pour l'envol de Junon is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Vanne, e poiché spedita al Ciel'io torno" (Giunone) - Simphonie pour l'envol de Junon by Francesco Cavalli, Caroline Meng, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture "Wassermusik" in C Major, TWV 55:C3: I. Ouverture | Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 121 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Sonata D major | Georg Muffat, John Holloway, Aloysia Assenbaum-Holloway, Lars Ulrik Mortensen | D♭ Major | 2 | 3B | 109 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Xerse, Atto II Scena 18: Luci mie che miraste | Francesco Cavalli, Cappella Mediterranea, Leonardo García-Alarcón, Clematis, Thomas Dunford, Mariana Flores | A♭ Minor | 0 | 1A | 113 BPM | ||
La Calisto, Act I Scene 14: Ballo de Orsi | Francesco Cavalli, René Jacobs, Concerto Vocale | C Major | 1 | 8B | 87 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM |
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