"O Ewigkeit, Du Donnerwort, BWV513" by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach was released on December 22, 2006. With O Ewigkeit, Du Donnerwort, BWV513 being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 38 out of 38 in Bach Edition Vol. 16, Chamber Music Part: 13 by Pieter-Jan Belder. O Ewigkeit, Du Donnerwort, BWV513 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Ewigkeit, Du Donnerwort, BWV513 by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Overture In The French Style In B Minor BWV 831, Ouvertüre Nach Französischer Art, H Moll BWV 831: Ouvertüre | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | A Minor | 5 | 8A | 105 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: III. Allegretto | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 2 | 2B | 169 BPM | ||
Overture In The French Style In B Minor BWV 831, Ouvertüre Nach Französischer Art, H Moll BWV 831: Echo | Pieter-Jan Belder, Johann Sebastian Bach, Arts Music Recording, Rotterdam | A Minor | 5 | 8A | 96 BPM | ||
Ouverture in E Minor, TWV 55:e1: III. Rondeau | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | F♯ Major | 0 | 2B | 149 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Gottes Zeit ist die allerbeste Zeit (Actus Tragicus), BWV 106: I. Sonatina | Johann Sebastian Bach, Knut Schoch, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink | E Major | 0 | 12B | 133 BPM | ||
Sonata a 7 for 2 Trumpets in D Major: I. Grave | Petronio Franceschini, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward H. Tarr | E Minor | 1 | 9A | 66 BPM | ||
Introduzione teatrale op. 4 no. 2: Allegro | Pietro Locatelli, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 81 BPM | ||
Flute Concerto in G Major: III. Allegro assai | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 2 | 9B | 127 BPM |
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