"Lully : Psyché : Prelude" by Jean-Baptiste Lully, William Christie, Les Arts Florissants was released on April 1, 2002. With Lully : Psyché : Prelude being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Baptiste Lully, William Christie, Les Arts Florissants's "Lully : Les Divertissements de Versailles - Great Operatic Scenes" album is number 1 out of 14. On top of that, France appears to be the country where this track was created. Based on our statistics, Lully : Psyché : Prelude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lully : Psyché : Prelude by Jean-Baptiste Lully, William Christie, Les Arts Florissants to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier : Médée, Act 1: "Quel bonheur suit la tendresse" (Chorus) | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | A Major | 2 | 11B | 136 BPM | ||
12 Concerti Grossi, Op. 6, No. 2 in F Major: I. Vivace - Allegro | Arcangelo Corelli, Europa Galante, Fabio Biondi | E Major | 1 | 12B | 120 BPM | ||
L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Charpentier : Médée, Act 1: "D'où vous vient cet air sombre?" (Médée, Nérine, Jason, Arcas) | Marc-Antoine Charpentier, William Christie, François Bazola, Les Arts Florissants, Lorraine Hunt, Mark Padmore, Noemi Rime | A♭ Minor | 1 | 1A | 99 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 10: Recitativo, "Ecco Serse, o che volto" (Amastre, Serse, Ariodate) | George Frideric Handel, William Christie | E♭ Major | 1 | 5B | 73 BPM | ||
Les plaisirs: Bourree pour les Coutisans | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 121 BPM | ||
Battalia À 10: Sonata (Biber) | Jordi Savall | A Minor | 2 | 8A | 128 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Concerto à più instrumenti in D Major, Op. 5, No. 6: V. Allegro | Evaristo Felice Dall'Abaco, Nadja Zwiener, Tuomo Suni, Harry Bicket, The English Concert | D♭ Major | 4 | 3B | 139 BPM |
Section: 0.9684920310974121
End: 0.9720351696014404