On January 1, 2003, the song "Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria III: Vivace" was released by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider. With Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria III: Vivace being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #13. In terms of popularity, Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria III: Vivace is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Overture (Suite) in G Major, TWV 55:G2, "La Bizarre": Aria III: Vivace by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Major: III. Allegro assai | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 2 | 9B | 127 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: I. Ouverture | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Musique de table, Part II: Concerto for 3 Violins in F Major, TWV 53:F1: III. Vivace | Georg Philipp Telemann, Anna Hoelblingova, Quido Holbling, Alexander Jablokov, Capella Istropolitana, Richard Edlinger | F Major | 2 | 7B | 97 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: I. Prélude | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Major | 2 | 12B | 126 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo | Francesco Mancini, Dan Laurin, London Baroque | A♭ Minor | 0 | 1A | 65 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM |
Section: 0.944443941116333
End: 0.9484937191009521