Ferenc Farkas, Berlage Saxophone Quartet made "Old Hungarian Dances from the 17th Century: Lassú (Arranged for Saxophone)" available on February 1, 2014. The duration of Old Hungarian Dances from the 17th Century: Lassú (Arranged for Saxophone) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Old Hungarian Dances from the 17th Century: Lassú (Arranged for Saxophone)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Saxofolk". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Based on our statistics, Old Hungarian Dances from the 17th Century: Lassú (Arranged for Saxophone)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Old Hungarian Dances from the 17th Century: Lassú (Arranged for Saxophone) by Ferenc Farkas, Berlage Saxophone Quartet having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Citharoedia Strigoniensis: Minuetto | Ferenc Farkas, Trio Citharoedia | G Major | 1 | 9B | 106 BPM | ||
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": I. Sinfonia, ''Adagio'' | Johann Sebastian Bach, Keisuke Wakao, Malcolm Lowe, Victor Romanul, Cathy Basrak, Sato Knudsen, Edwin Barker | D♭ Major | 8 | 3B | 117 BPM | ||
Sonate e Partite: No. 3, Moderato (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
Rota: Sonata for Flute and Harp: I. Allegro molto moderato | Nino Rota, Anneleen Lenaerts, Emmanuel Pahud | D Major | 1 | 10B | 82 BPM | ||
Love in the Air - String Quartet Harmony | Craig Riley | D Major | 1 | 10B | 73 BPM | ||
Piano Trio in A Major, Posth.: II. Vivace | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Sonate e Partite: No. 7, Vivace (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
The Journey to the Top of the Hill | Teemu Halmkrona, Hanna Tissari | C Major | 0 | 8B | 76 BPM | ||
Préludes, Livre 1, L. 117: No. 8, La fille aux cheveux de lin (Transcr. Y. Kondonassis) | Claude Debussy, Yolanda Kondonassis | F♯ Major | 0 | 2B | 117 BPM | ||
Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM |
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