"The Canticle of the Sun: No. 4, "Laudato si, mi Signore, per sora luna e le stelle"" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble was released on January 1, 2009. With The Canticle of the Sun: No. 4, "Laudato si, mi Signore, per sora luna e le stelle" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sofia Gubaidulina, Pieter Wispelwey, Collegium Vocale Gent, Daniel Reuss's "Gubaidulina: The Canticle of the Sun, Preludes for Violoncello Solo & In Croce" album is number 4 out of 25. On top of that, Netherlands appears to be the country where this track was created. The Canticle of the Sun: No. 4, "Laudato si, mi Signore, per sora luna e le stelle" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Canticle of the Sun: No. 4, "Laudato si, mi Signore, per sora luna e le stelle" by Sofia Gubaidulina, Collegium Vocale Gent, Daniel Reuss, Pieter Wispelwey, Members of the Prometheus Ensemble to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schnittke: Cello Sonata No. 1, Op. 129: I. Largo | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
II. Mesto, rigido e cerimoniale | György Ligeti, Claudia Janet Birkholz | D♭ Major | 0 | 3B | 135 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 1, Modrá hodina | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F♯ Major | 0 | 2B | 88 BPM | ||
Piano Sonata No. 4, Op. 11 | Alexander Mosolov, Elena Dorozhkina | A Major | 1 | 11B | 71 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Concerto pour violon et orchestre: III. Intermezzo: Presto fluido | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Allegro Scherzino : Flying - Chamber Ensemble Version | José Manuel Ortega Caballo | F♯ Minor | 4 | 11A | 87 BPM |
Section: 0.9651405811309814
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