Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo)
Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra
Gluck: Orfeo ed Euridice
1:58 1982
BPM
169
Key
D Major
Camelot
10B

Embed

Share Link

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo) - Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra Information

Acousticness
97%
Danceability
32%
Energy
4%
Instrumentalness
0%
Liveness
28%
Loudness
56%
Speechiness
7%
Valence
9%
Popularity
Loudness
-26.614 dB

Summary

"Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo)" by Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra was released on 1982. With Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 8 out of 35. The popularity of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo) BPM

We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo) by Christoph Willibald Gluck, Agnes Baltsa, Riccardo Muti, Philharmonia Orchestra to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.

Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Orfeo, che fai? (Amore/Orfeo) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 by Janos Sebestyen, Johann Sebastian BachPrelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924Janos Sebestyen, Johann Sebastian BachC Major28B139 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
Lieder ohne Worte, Op. 19, No. 1 by Felix Mendelssohn, Murray PerahiaLieder ohne Worte, Op. 19, No. 1Felix Mendelssohn, Murray PerahiaE Major012B138 BPM
Gluck : Iphigénie en Aulide : Act 1 Gluck : Iphigénie en Aulide : Act 1 "Non, jamais" [First Greek Woman, Second Greek Woman, Third Greek Woman]Christoph Willibald Gluck, John Eliot Gardiner, Orchestre de l'Opéra de LyonD Major010B136 BPM
Mazurka in C Minor by Mikhail Glinka, Inga FioliaMazurka in C MinorMikhail Glinka, Inga FioliaC Minor05A106 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo by Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoRespighi: Pini di Roma, P. 141: III. I pini del GianicoloOttorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoE Major012B81 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 by Carl Maria von Weber, Michael Endres7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1Carl Maria von Weber, Michael EndresC Major08B134 BPM
Premier Nocturne, Op. 22 by Charles-Valentin Alkan, Michael LandrumPremier Nocturne, Op. 22Charles-Valentin Alkan, Michael LandrumB Major01B135 BPM
Symphony No.3 in F, Op.90: 3. Poco allegretto by Johannes Brahms, Cleveland Orchestra, Lorin MaazelSymphony No.3 in F, Op.90: 3. Poco allegrettoJohannes Brahms, Cleveland Orchestra, Lorin MaazelC Minor05A75 BPM
Wagner: Albumblatt, WWV 94 by Richard Wagner, Renaud CapuçonWagner: Albumblatt, WWV 94Richard Wagner, Renaud CapuçonA Major211B87 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7390322685241699

End: 0.7442312240600586