John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon's ' "I was Looking at the Ceiling and Then I Saw the Sky: Act I: Tiffany's Solo (Tiffany)" was released on its scheduled release date, October 18, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 24 in Adams: I Was Looking at the Ceiling and Then I Saw the Sky by John Adams, Klaus Simon. In terms of popularity, I was Looking at the Ceiling and Then I Saw the Sky: Act I: Tiffany's Solo (Tiffany) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of I was Looking at the Ceiling and Then I Saw the Sky: Act I: Tiffany's Solo (Tiffany) by John Adams, Martina Mühlpointner, Kimako Xavier Trotman, Markus Alexander Neisser, Jeannette Friedrich, Darius de Haas, Lilith Gardell, Jonas Holst, Holst Sinfonietta, Klaus Simon is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegies BV 249: VII. Berceuse | Ferruccio Busoni, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
Three Piano Preludes: II. No. 2 | Frederick Delius, Eric Parkin | F♯ Minor | 1 | 11A | 73 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
A Little Midnight Music: VII. Blues in the Night | George Crumb, Emanuele Arciuli | F♯ Major | 0 | 2B | 68 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM |