- BPM
- 109
- Key
- E Minor
- Camelot
- 9A
Concerto Per Violino E Orchestra in Mi MInore, Op. 64: I. Allegro molto appassinato - Recorded in NY 3/14/1954 - New York Philharmonic Information
- Acousticness
- 94%
- Danceability
- 31%
- Energy
- 27%
- Instrumentalness
- 44%
- Liveness
- 20%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 23%
- Popularity
- 7%
- Loudness
- -13.462 dB
Summary
New York Philharmonic's 'Concerto Per Violino E Orchestra in Mi MInore, Op. 64: I. Allegro molto appassinato - Recorded in NY 3/14/1954' came out on May 21, 2008. Concerto Per Violino E Orchestra in Mi MInore, Op. 64: I. Allegro molto appassinato - Recorded in NY 3/14/1954 appears to be safe for all ages as it is not explicit. The track order of this song in Various Artists's "Mendelssohn: Concerto No 2, Concerto for Violin, Symphony No. 4" album is number 3 out of 9. In terms of popularity, Concerto Per Violino E Orchestra in Mi MInore, Op. 64: I. Allegro molto appassinato - Recorded in NY 3/14/1954 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Concerto Per Violino E Orchestra in Mi MInore, Op. 64: I. Allegro molto appassinato - Recorded in NY 3/14/1954 BPM
We consider the tempo marking of Concerto Per Violino E Orchestra in Mi MInore, Op. 64: I. Allegro molto appassinato - Recorded in NY 3/14/1954 by New York Philharmonic to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
Concerto Per Violino E Orchestra in Mi MInore, Op. 64: I. Allegro molto appassinato - Recorded in NY 3/14/1954 Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | |
 | Lohengrin, WWV 75: Prelude to Act I | Richard Wagner, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 86 BPM | |
 | Cello Concerto (2021 Revision): I. Theme & Cadenza | John Williams, Yo-Yo Ma, New York Philharmonic | E Minor | 0 | 9A | 133 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | |
 | Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | |
 | Egmont Overture, Op. 84 - Remastered | Ludwig van Beethoven, George Szell, Cleveland Orchestra | F Minor | 1 | 4A | 83 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18, Andante cantabile | Sergei Rachmaninoff, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 64 BPM | |
 | Symphony No. 4 in E Minor, Op. 98: II. Andante moderato | Johannes Brahms, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 102 BPM | |
 | Peter and the Wolf, Op. 67: Andante molto | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6434385776519775
End: 0.6479530334472656