Paulinho Nogueira, Plínio Fernandes's 'Bachianinha No. 1 (Arr. for Guitar by Sérgio Assad)' came out on September 1, 2023. The duration of Bachianinha No. 1 (Arr. for Guitar by Sérgio Assad) is about 3 minutes long, at 3:20. Based on our data, "Bachianinha No. 1 (Arr. for Guitar by Sérgio Assad)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Bachianinha No. 1 (Arr. for Guitar by Sérgio Assad) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Bachianinha No. 1 (Arr. for Guitar by Sérgio Assad)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bachianinha No. 1 (Arr. for Guitar by Sérgio Assad) by Paulinho Nogueira, Plínio Fernandes is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Sonata for Harp and Guitar, Op. 374, "Spirit of Trees": I. Andante cantabile - Maestoso rubato - Tempo I | Alan Hovhaness, Yolanda Kondonassis, Jason Vieaux | A Minor | 0 | 8A | 78 BPM | ||
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
Romanza | Miguel Llobet Solés, Lorenzo Micheli | C Major | 0 | 8B | 109 BPM | ||
Alfonsina y el mar (Arr. R. Dyens for Guitar) | Ariel Ramírez, Raphaël Feuillâtre | E Minor | 0 | 9A | 78 BPM | ||
Hornpipe | Henry Purcell, David Orlowsky, David Bergmüller | D♭ Major | 0 | 3B | 73 BPM | ||
Oriental Dance | Aram Khachaturian, Xavier De Maistre | A Minor | 1 | 8A | 99 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM |
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